I've noticed a lot of recipes for Cadbury creme egg brownies floating around the internet lately.
As usually happens when I'm confronted with a horrendous idea involving gargantuan doses of sugar and bad taste, I simply had to try it out.
The results were messy, yet colorful and festive looking.
In case you're wondering what's up with the left side of the pan, that was done for Technomancer's benefit. He's one of those sadly disadvantaged individuals who doesn't appreciate the wondrous bundle of cheap chocolate deliciousness that is the Cadbury creme egg, so out of wifely affection* I made half the brownies with Cadbury mini eggs instead.
These are surprisingly good, and the eggs seem like they'd work with pretty much any brownie recipe. This is the one I used:
Swedish Brownies (With Cadbury Eggs)
2 sticks butter
1 1/2 cups flour, sifted
2 cups sugar
5 generous tablespoons unsweetened cocoa powder
1/2 teaspoon salt
2 teaspoons vanilla
3 (real, from an actual chicken) eggs, beaten
6-8 Cadbury creme eggs or 1 package Cadbury mini eggs, if desired
Mix flour, sugar, salt and cocoa powder in a large bowl. Melt butter in a large saucepan; stir in flour mixture and vanilla. Add eggs after allowing a minute or two for batter to cool down. Pour into a greased 8 x 8 pan.
If desired, press Cadbury eggs into batter before baking. If using creme eggs, carefully cut them in half** and place them cut side up.
Bake at 375 for 25-30 minutes.
And thus concludes my so-bad-it's-good-idea moment of the day.
Happy Easter!
*That's fancy talk for "I didn't want to end up eating an entire pan of brownies by myself."
**Cutting a Cadbury creme egg in half...is not so simple as it sounds. The chocolate shell cracks and warps at the slightest provocation, and the gooey fondant stuff inside wants to go all over the damn place. Your best bet is probably to use a very sharp knife and cut right along the seam where they fused the two halves of the shell together.
Sunday, March 31, 2013
Friday, March 29, 2013
Dr. Seuss Panic Attack: What If God is a Very Gullible and Somewhat Clumsy Elephant?
I never wanted to be an astronaut.
I didn't even daydream about an idealized future career as a death-defying spaceship pilot when I was a kid, though I'm pretty sure plenty of my classmates did. My generation grew up on Star Wars and the Alien movies. I had several classmates who owned ET dolls.
I wasn't one of them. ET creeped the hell out of me. But that wasn't the reason eight-year-old me wouldn't have accepted a career at NASA if it had been handed over along with a billion dollars, a live unicorn, and a lifetime supply of get-out-of-doing-math-homework-free cards.
The very idea of outer space itself scared me off.
The fear actually wasn't as intense when I was young. Yes, I really, really disliked the idea that there was a big, black, gaping, lifeless void lurking beyond the comfy little atmosphere of this planet I call home, but I could live with it as long as it continued to stay where it was. The night sky may have looked dark and spooky, but at least I knew it wasn't going to come down here and try to coax me into a windowless van.
It got worse as I got older and gradually developed the intellectual capacity to fully wrap my mind around how immeasurably huge space is. How unknown and unpredictable. How chock-full of horrendous things capable of snuffing out life as we know it on this fragile planet of ours in a heartbeat, without warning. Sometimes I get to thinking about it, and I end up lying awake in deepening existential horror as my mind uncontrollably crowds itself with images of black holes, free-floating clouds of deadly cosmic radiation, supernovas, giant-ass meteors, and even gianter-ass solar flares. Then I sleep through most of the next day and have to admit to myself that I didn't get any writing done and the house looks like a disaster area because I spent all night worrying about the possibility that the universe might kill us all with giant space-rocks.
With all this in mind, what do you suppose child-me made of a certain children's book?
The one about a civilization inhabiting a tiny planet that hurtles at breakneck speed through the boundless ether, without even the small protection of being tethered more or less in one place by the gravity of a dying star.
The one in which a superior being comes to the aid of said civilization, promising to hold, protect and cherish their wayward world for all time.
The one in which said superior being is immediately beset by other, more vicious and small-minded superior beings, who tear the teeming planet away from him and callously cast it into the murky depths like the meaningless speck of dust that it is in their eyes, leaving its people to lie forgotten and abandoned in the darkness for however many years, centuries or millennia it takes for their protector to find them again.
You know which one I'm talking about.
Yep, that's right.
Dang you, Horton Hears A Who. Dang you straight to heck. Not only did you speak to my fear of being an insignificant speck of dust floating through a hostile universe, you also planted the idea in my head that the greater forces controlling this universe may be sentient. That some of them may be actively hostile. That they may be DOING THIS SHIT ON PURPOSE.
Now, if you'll excuse me, I might as well take a nap now and get my nightmare about rogue planets out of the way as soon as possible. I hope you're happy with yourself, you smug-ass, clover-loving pachyderm.
Friday, March 8, 2013
The Great Mochi Ice Cream Disappointment Of '13: The Store Locator That Wasn't
Yesterday I got a hankering for mochi ice cream.
Unfortunately for me, I live in the United States and mochi ice cream isn't very widespread here. I used to buy it from a little Asian grocery store in my hometown, but my hometown is now a fourteen-hour drive away and the only Asian grocery near me seemed to be permanently closed the last time I drove past it. So I searched online for the company that makes the mochi ice cream, hoping to buy directly from the source.
Well, not only does the company's website have an option for direct ordering; they also have a store locator, and it just so happened that it identified a Food Emporium in the next town as a seller of their product. I'd lucked out!
Or so it seemed.
I found no mochi ice cream at that Food Emporium. I searched the freezer aisle twice. I asked people. It just wasn't there. Fortunately they did have Cadbury creme eggs and some yummy-looking frozen samosas, so the trip wasn't a total waste of time.
When I got home with my eggs and samosas, I ran upstairs to double-check the website's store locator, thinking maybe I'd managed to write down the address of the wrong Food Emporium. Nope. The address that popped up on my screen was the same one I'd punched into my GPS half an hour earlier.
Out of curiosity, I then entered my old zip code into the locator, the one I had shared with the Asian grocery where I used to get my mochi ice cream.
That search turned up zero matches. I expanded it to include a ten-mile-radius, a fifty-mile-radius, a hundred-mile-radius...nothing, nada, zip. Despite the fact that the mochi-ice-cream-selling Asian grocery was and still is less than two miles from my parents' house.
Then, as I sat scratching my head and wondering if maybe enough people in Kalamazoo somehow buy so damn much mochi ice cream that it's worth the Asian grocery owner's while to bootleg it, a tiny orange SUBMIT button at the bottom corner of the store locator screen caught my eye. I read the message above it:
Unfortunately for me, I live in the United States and mochi ice cream isn't very widespread here. I used to buy it from a little Asian grocery store in my hometown, but my hometown is now a fourteen-hour drive away and the only Asian grocery near me seemed to be permanently closed the last time I drove past it. So I searched online for the company that makes the mochi ice cream, hoping to buy directly from the source.
Well, not only does the company's website have an option for direct ordering; they also have a store locator, and it just so happened that it identified a Food Emporium in the next town as a seller of their product. I'd lucked out!
Or so it seemed.
I found no mochi ice cream at that Food Emporium. I searched the freezer aisle twice. I asked people. It just wasn't there. Fortunately they did have Cadbury creme eggs and some yummy-looking frozen samosas, so the trip wasn't a total waste of time.
When I got home with my eggs and samosas, I ran upstairs to double-check the website's store locator, thinking maybe I'd managed to write down the address of the wrong Food Emporium. Nope. The address that popped up on my screen was the same one I'd punched into my GPS half an hour earlier.
Out of curiosity, I then entered my old zip code into the locator, the one I had shared with the Asian grocery where I used to get my mochi ice cream.
That search turned up zero matches. I expanded it to include a ten-mile-radius, a fifty-mile-radius, a hundred-mile-radius...nothing, nada, zip. Despite the fact that the mochi-ice-cream-selling Asian grocery was and still is less than two miles from my parents' house.
Then, as I sat scratching my head and wondering if maybe enough people in Kalamazoo somehow buy so damn much mochi ice cream that it's worth the Asian grocery owner's while to bootleg it, a tiny orange SUBMIT button at the bottom corner of the store locator screen caught my eye. I read the message above it:
Mochi Spotter
Help us track them down by entering the address of where you saw them so we can tell others!
Wait.
Are these people saying they don't know where their product is sold? Are they actually asking their customers to tell them where their own product is sold so they can tell their customers where their product is sold?
That's some major Catch-22 malarkey right there.
I mean, how does this even happen? How can a company not know where the stuff that they manufacture and sell is going? Unless they just dump big crates of it at the docks in New York and LA and let back-alley dealers sell it like heroin, they must have some sort of distribution department that keeps track of shipments and orders.
They must also staff this department with former CIA agents who compulsively redact everything they write down. I can't think of any other reason an actual legitimate business would ask complete strangers on the Internet which stores sell their stuff. Congratulations, Nameless Mochi Ice Cream Purveyor. I won't reveal your identity because I'm nice like that, but I would like you to know that you have officially broken my brain.
An injury made more painful by the lack of delicious mochi ice cream. Which I'm frankly reluctant to order from you because I'm afraid that you'll try to get it to me by asking Internet strangers how to find my house.
Friday, March 1, 2013
Dr. Seuss Panic Attack: The Once-ler
I've been haunted since childhood by a face I never saw.
Specifically, the face belonging to this pair of disembodied arms:
I imagine the Lorax movie that came out last year brought relief to a lot of people who read the book as children and uneasily wondered why the Once-ler never showed himself. It brought none to me. The backstory I'd already imagined for this enigmatic character is cemented too firmly in my mind to be replaced by simple Hollywood fluff, however well-animated that fluff may be.
A teacher read this story to my second grade class. Like my classmates, I looked at those arms-those scrawny, gnarled, sickly-looking arms-and wondered what sort of person or thing could possibly be attached to them. But while my classmates probably latched onto the green fur and imagined a creature that resembled the Grinch, my mind went to a much darker place.
I decided that the Once-ler must be afflicted by some sort of horrific disfiguring disease.
The more I thought about it the more sense it made. The story begins with a flashback of the Once-ler roaming the world, hiding his face in shame beneath the protective canopy of a covered wagon. When he first encounters the lovely Truffula trees, he is entranced. Those soft colorful tufts draw him like a moth to the flame; he must have these beautiful trees for his own, every single one of them, for to possess them is to regain the beauty that nature stole from him.
Yet the disease that afflicts him has twisted his mind as well as his body. His intense love of the trees is inextricably entwined with a fierce hateful envy of their physical perfection. This darker side of him festers and grows as the Lorax shows up again and again to remind him that the trees do not truly belong to him. In his rage he defiles as many trees as he can, hacking through their trunks with axes and twisting their tufts into hideous shapes.* All the while he continues to lurk in the shadows of doorways and desks like a robber-baron version of the Phantom of the Opera, still too ashamed to show his face to his customers despite the growing success of his business.
Then, suddenly, it's all over. The last Truffula tree is cut down and the Lorax disappears into the sky. The Once-ler is left alone in the pollution-choked valley, having finally succeeded in re-shaping the landscape into a wasteland as desolate and blighted as his own body and soul. And as he looks over his work, he mourns. Something in him has been lost, some pure and perfect and genuine facet of himself he didn't know he possessed until it died in the muck of rotted wood and industrial waste that surrounds his factory...
Then, as the sun sets on the barren valley, something tiny and round rolls from the tuft of the fallen tree. A single seed. Hope courses through him as he snatches it up. The last traces of his shame and self-hatred melt away as he carries the little living seed to his house like a holy relic; the rest of his life will be spent in nurturing and guarding it, awaiting the day when new life will rise from the ashes of his greed and misplaced anger.
And that was the backstory I came up with for the Once-ler. Looking back, I think it was one of my earliest exercises in trusting my imagination and looking beyond the obvious while building a character.
Or maybe it was just my brain being weird and twisted enough to see a Greek-tragedy-worthy tale of obsession, ruin, redemption and late-stage syphilis in a preachy 1970's environmentalism fable written for children.
It depends on who you ask.
*I've studied that flaccid, creepy, unidentified-decomposing-medical-specimen-looking thing in the Once-ler's hands a dozen times now, and I still can't figure out how "everyone" could actually need a Thneed, let alone keep one in their houses without having nightmares about it.
Specifically, the face belonging to this pair of disembodied arms:
I imagine the Lorax movie that came out last year brought relief to a lot of people who read the book as children and uneasily wondered why the Once-ler never showed himself. It brought none to me. The backstory I'd already imagined for this enigmatic character is cemented too firmly in my mind to be replaced by simple Hollywood fluff, however well-animated that fluff may be.
A teacher read this story to my second grade class. Like my classmates, I looked at those arms-those scrawny, gnarled, sickly-looking arms-and wondered what sort of person or thing could possibly be attached to them. But while my classmates probably latched onto the green fur and imagined a creature that resembled the Grinch, my mind went to a much darker place.
I decided that the Once-ler must be afflicted by some sort of horrific disfiguring disease.
The more I thought about it the more sense it made. The story begins with a flashback of the Once-ler roaming the world, hiding his face in shame beneath the protective canopy of a covered wagon. When he first encounters the lovely Truffula trees, he is entranced. Those soft colorful tufts draw him like a moth to the flame; he must have these beautiful trees for his own, every single one of them, for to possess them is to regain the beauty that nature stole from him.
Yet the disease that afflicts him has twisted his mind as well as his body. His intense love of the trees is inextricably entwined with a fierce hateful envy of their physical perfection. This darker side of him festers and grows as the Lorax shows up again and again to remind him that the trees do not truly belong to him. In his rage he defiles as many trees as he can, hacking through their trunks with axes and twisting their tufts into hideous shapes.* All the while he continues to lurk in the shadows of doorways and desks like a robber-baron version of the Phantom of the Opera, still too ashamed to show his face to his customers despite the growing success of his business.
Then, suddenly, it's all over. The last Truffula tree is cut down and the Lorax disappears into the sky. The Once-ler is left alone in the pollution-choked valley, having finally succeeded in re-shaping the landscape into a wasteland as desolate and blighted as his own body and soul. And as he looks over his work, he mourns. Something in him has been lost, some pure and perfect and genuine facet of himself he didn't know he possessed until it died in the muck of rotted wood and industrial waste that surrounds his factory...
Then, as the sun sets on the barren valley, something tiny and round rolls from the tuft of the fallen tree. A single seed. Hope courses through him as he snatches it up. The last traces of his shame and self-hatred melt away as he carries the little living seed to his house like a holy relic; the rest of his life will be spent in nurturing and guarding it, awaiting the day when new life will rise from the ashes of his greed and misplaced anger.
And that was the backstory I came up with for the Once-ler. Looking back, I think it was one of my earliest exercises in trusting my imagination and looking beyond the obvious while building a character.
Or maybe it was just my brain being weird and twisted enough to see a Greek-tragedy-worthy tale of obsession, ruin, redemption and late-stage syphilis in a preachy 1970's environmentalism fable written for children.
It depends on who you ask.
*I've studied that flaccid, creepy, unidentified-decomposing-medical-specimen-looking thing in the Once-ler's hands a dozen times now, and I still can't figure out how "everyone" could actually need a Thneed, let alone keep one in their houses without having nightmares about it.
Friday, February 22, 2013
Dr. Seuss Panic Attack: The Pale Green Pants With Nobody Inside Them
Imagine you're a five-year-old flipping through a collection of stories by Dr. Seuss. You're just chilling out in your pink stretch pants and ruffly little-girl socks, enjoying all the cool-sounding imaginary words and fun illustrations, when suddenly this assaults your senses:
I don't know about you, but when I encountered the last installment* of "The Sneetches and Other Stories," one thought flashed through my mind. And that thought went something like this:
AAAAHHHHHHOLYFLURKINSCNITBALLS Kill it! Kill it before it EATS THAT GUY'S SOUL!
Reading the story through to the end did little to assuage my fear of the evil vomit-colored possessed pants. Looking back on my childhood, I've often wondered if my reaction was unfair. After all, the pants didn't actually turn out to be evil. The tale was a simple fable about the importance of not judging others for being different; the narrator is initially afraid of the pants and tries to avoid them, but then he discovers that they're afraid of him as well. They both get over their fear and become friends.
Sounds innocent enough, right?
Then I read it again as an adult.
I couldn't help but notice something disturbing, something I think I subconsciously picked up on when I was little but wasn't quite worldly enough to fully recognize for the big red flag it was.
The pants seem to be following the narrator. And they seem to be putting themselves through a good deal of inconvenience to do so.
He first encounters them while walking through the woods at night. Startling, I'm sure, but that could at least be a coincidence.
The next time he sees them, they almost mow him down on a city street. On a bicycle. Despite the fact that, even in a Dr. Seuss book, it must be extremely difficult for a disembodied pair of pants to ride a bike. What with their lack of hands and feet and all.
Then the narrator tries to calm his nerves with a nice fishing trip, only to see the pants rowing ominously toward him on the river, even though a boat must be as hard for animated monster-pants to pilot as a bike. That marks the third time the pants just "happened" to be where the narrator is. It was also when I began to suspect that none of these run-ins were accidents.
The big climactic encounter confirmed my suspicions. The narrator goes out one night** to pick "a peck of Snide." The text doesn't make it clear what Snide is or why he needs it, but I like to think that he planned to somehow distill it into a powerful pepper-spray-like substance and take care of those pesky creep-trousers once and for all. Anyway, the narrator makes it clear that the Snide-field is a very big place: "almost nine miles wide," to be exact. So of course, he unsuspectingly reaches into a Snide bush and finds himself touching...
The. Pale. Green. Pants.
Nine whole miles of Snide-field, and those damn pants just had to be right there beside him.
They're always there.
Seriously, there's no way that any of this is coincidental. There's no avoiding the ugly truth: our dear narrator is being stalked. The only time he briefly has a moment's peace is when he eludes the pants by hiding in a Brickle bush for two nights straight. I doubt he can make that work again, though; since the pants were present at his Snide-picking session they probably saw him emerging from his hiding place.
And by the end of the story he's played directly into their nonexistent hands. He approaches them without fear and says "Hi" when he passes them in the street. He's given them his trust.
Trust that will indubitably be used against him when the evil haunted pants-people of the night finally rise up and take over the world.
*The story's official title is "What Was I Scared Of?," but it's been forever cemented in my mind as "That Creepy Friggin' Pale-Green-Pants-With-Nobody-Inside-Them Story."
**I did wonder why the narrator kept going out at night, even though it seemed pretty obvious that the pants are more active after dark. The best I could come up with is the possibility that the species of bear (or bunny, or chinchilla, or whatever) the narrator belongs to is naturally nocturnal in its habits. That, or he's a sucker for punishment.
I don't know about you, but when I encountered the last installment* of "The Sneetches and Other Stories," one thought flashed through my mind. And that thought went something like this:
AAAAHHHHHHOLYFLURKINSCNITBALLS Kill it! Kill it before it EATS THAT GUY'S SOUL!
Reading the story through to the end did little to assuage my fear of the evil vomit-colored possessed pants. Looking back on my childhood, I've often wondered if my reaction was unfair. After all, the pants didn't actually turn out to be evil. The tale was a simple fable about the importance of not judging others for being different; the narrator is initially afraid of the pants and tries to avoid them, but then he discovers that they're afraid of him as well. They both get over their fear and become friends.
Sounds innocent enough, right?
Then I read it again as an adult.
I couldn't help but notice something disturbing, something I think I subconsciously picked up on when I was little but wasn't quite worldly enough to fully recognize for the big red flag it was.
The pants seem to be following the narrator. And they seem to be putting themselves through a good deal of inconvenience to do so.
He first encounters them while walking through the woods at night. Startling, I'm sure, but that could at least be a coincidence.
The next time he sees them, they almost mow him down on a city street. On a bicycle. Despite the fact that, even in a Dr. Seuss book, it must be extremely difficult for a disembodied pair of pants to ride a bike. What with their lack of hands and feet and all.
Then the narrator tries to calm his nerves with a nice fishing trip, only to see the pants rowing ominously toward him on the river, even though a boat must be as hard for animated monster-pants to pilot as a bike. That marks the third time the pants just "happened" to be where the narrator is. It was also when I began to suspect that none of these run-ins were accidents.
The big climactic encounter confirmed my suspicions. The narrator goes out one night** to pick "a peck of Snide." The text doesn't make it clear what Snide is or why he needs it, but I like to think that he planned to somehow distill it into a powerful pepper-spray-like substance and take care of those pesky creep-trousers once and for all. Anyway, the narrator makes it clear that the Snide-field is a very big place: "almost nine miles wide," to be exact. So of course, he unsuspectingly reaches into a Snide bush and finds himself touching...
The. Pale. Green. Pants.
Nine whole miles of Snide-field, and those damn pants just had to be right there beside him.
They're always there.
Seriously, there's no way that any of this is coincidental. There's no avoiding the ugly truth: our dear narrator is being stalked. The only time he briefly has a moment's peace is when he eludes the pants by hiding in a Brickle bush for two nights straight. I doubt he can make that work again, though; since the pants were present at his Snide-picking session they probably saw him emerging from his hiding place.
And by the end of the story he's played directly into their nonexistent hands. He approaches them without fear and says "Hi" when he passes them in the street. He's given them his trust.
Trust that will indubitably be used against him when the evil haunted pants-people of the night finally rise up and take over the world.
*The story's official title is "What Was I Scared Of?," but it's been forever cemented in my mind as "That Creepy Friggin' Pale-Green-Pants-With-Nobody-Inside-Them Story."
**I did wonder why the narrator kept going out at night, even though it seemed pretty obvious that the pants are more active after dark. The best I could come up with is the possibility that the species of bear (or bunny, or chinchilla, or whatever) the narrator belongs to is naturally nocturnal in its habits. That, or he's a sucker for punishment.
Tuesday, February 19, 2013
Lady Evil's Guide to Not-So-Good Housekeeping (Now With More Hyenas)
Technomancer keeps complaining that he can't find anything in my study.
I have no idea what he's talking about. I can find stuff in my study just fine. Say I need my thesaurus.* It's right where I left it, in that pile of books and binders and papers by the table. No, no, not the one on the table with the radio on top of it. I'm talking about the one on the floor beside the table, the one with all the old fiber arts supplies catalogs sticking out. It's the second item in the stack. See? That wasn't hard.
Technomancer also complains that I let the dishes pile up, but he's exaggerating a bit. I just did the dishes three days ago. The dirty stuff currently sitting on the counter is barely enough for one dishwasher load.
As you've probably guessed by now, my husband and I hold somewhat differing views on what constitutes a well-kept household. He seems to have this strange idea in his head that everything needs to be "put away," "in order," "not festering like an old rat carcass in the kitchen sink" and all that fancy-pants jazz. I take a more laid-back approach.** But we can't keep living at odds. Marriage requires compromise.
Technomancer has to learn to be less of a neatnik, and I have to learn to be less messy.
It's not going to be easy. I've been a slob so long that it's almost ingrained into my DNA by now. Some of my fondest childhood memories are bound up in my champion slovenliness. I remember how I used to swipe random toys from my younger siblings and hide them in my room. Then I would take twine and wind it around all my furniture in an elaborate spider-web-like pattern to make a fun obstacle course for them to crawl through as they searched for their dolls or trucks or beanie babies in the impenetrable crust of clutter on my floor. If they knocked down some of the twine, they had to go back to the door and start over from the beginning. Good times, good times.
I've been working on reversing my habit of leaving things wherever for a few months now. It's slow going, but I've been making progress. The real problem is the dishes. I've hated dish-duty since I was a kid and it was my household chore. It wasn't the actual dishes themselves as the rinsing that got to me, probably because my brother would always deliberately spit on his plate to make it more disgusting to rinse. I don't think he appreciated our little game of me stealing his shit and then making him humiliate himself to get it back.
And that, children, is why crusty dishes tend to pile up whenever I hold primary responsibility for cleaning the kitchen. If it's a choice between rinsing dirty dishes and literally anything else--filling out tax forms, getting a pelvic exam, swine flu, you name it--those dishes are going to keep sitting there. But since it bothers Technomancer, I have no choice. I'm just going to have to bite the bullet and do something about it.
Fortunately for both of us, I thought I had conveniently stumbled upon a solution today while messing around online.
This article describes the unique approach the people of the Ethiopian city of Harar have taken to dealing with refuse in their streets. Basically they entice the local hyenas into the city with food scraps after dark and let them eat every bit of edible garbage in sight. And you know what? I'm mad that the people of Harar thought of this before I did. A house hyena or two could strip all those ketchup splotches and cheese rinds off the plates in no time, and I bet they'd bring our garbage collection bill way down too.
The home security potential is a good angle as well. Imagine you're a burglar. You've just broken into my house at 2 AM. Suddenly you hear an eerie, chuckling howl. You turn around and see a pair of flat and murderous eyes fixed on you. Needle-sharp white teeth glint in the dim light as it stalks steadily closer to you. I bet you'd cut and run without touching anything. Good luck not getting caught in the giant spider web of twine I rigged up in my study. Technomancer says I can keep my study as messy as I want now. That's his part of the compromise.
Then I told Technomancer that we needed to fill the house with hyenas to keep the dishes clean, and he looked at me like I was out of my mind. I swear, there's just no pleasing some people.
*Yes, I still own a hard-copy thesaurus. No, it's not made of papyrus and written in ancient Greek. Yes, I know digital media is the wave of the future and all that crap, but sometimes I just like holding a real book in my hands, dammit. Get off my lawn.
**Is it attracting pests? If yes = clean it. If no = ignore and continue to mess around on the internet.
Monday, February 11, 2013
Snow Day
This morning I climbed a mountain to get my mail.
Before I explain that, let's go back a bit. See, we here in the northeast United States are still recovering from the huge snowstorm that dumped two feet of cold white stuff on us this weekend.
I admit that there was much moaning and groaning in this household when the Meteorological Alarmist Squad* started reporting on the impending blizzard. Technomancer got annoyed and stressed because he has a big work project that's already behind schedule due on Thursday. I swore and stomped around a lot because it seemed almost certain that the storm would knock out our power, and I hate being without power with a white-hot passion usually reserved for politicians who think that women can't get pregnant from rape. Unfortunately for us, hightailing it to Michigan to get out of the storm's path wasn't an option this time. I went to the grocery store, grabbed up as many emergency supplies as I could carry, and hunkered down in the house with Technomancer to wait it out.
The storm came and went on Friday night, and miraculously we did not lose power for once. But we still weren't going anywhere. See that picture up there? Our driveway is buried somewhere under that smooth and unbroken lake of snow, and neither of us owns a Hummer.
The plow guy didn't make it to us until late Sunday. In the meantime we kept ourselves amused as best we could; Technomancer played video games and worked on his project, and I started weaving a new piece on my loom and dug around in the back of my pantry to see if I had any weird or exotic food that I could try and post about. There was nothing terribly unusual in there, though I did make non-alcoholic** Jello shots from some cranberry Jello and mandarin oranges I found.
Come Monday the driveway was finally plowed and I had no excuse not to bring in the mail anymore. I threw on my big coat, struggled into my boots, and trudged all the way down our long, steep, winding and (at that moment) rather icy driveway, thinking uncharitable thoughts all the way about how cold and bulky and time-consuming and generally inconvenient a season winter is.
Our mailbox was half-buried under a big pile of plowed snow, which I had to clamber up to get to the box. I worried with each step that the snow would give way and suck me in up to my not-snowpants-clad knees, but it was surprisingly firm. And while I stood there, stooping to retrieve the mail while balanced precariously on a tower of snow with cars whizzing by, I remembered something.
Mid-winter in the early Nineties. The parking lot behind the elementary school. It's snowed more than usual that year, and the plows have piled it all around the edges of the parking lot. We kids technically aren't supposed to play there, but the parking lot is in full view of the playground. Those lumpy glittering mounds of pure possibility are too much of a draw, too great a force to resist. I'm one of the first to sneak away from the swings and monkeybars. The world reels away beneath me as I scramble up the sheer face of the tallest part of the pile. Nothing can stop me. I am a mountaineer charting a vast unexplored glacier in Antarctica, a snow leopard prowling the ridges of the Himalayas. I'm walking the thin edge of the ice-grey sky.
That's how it felt again for that moment as I stood on my little mountain of snow with cars zooming along beneath me. All the little annoyances and indignities of living through winter melted away. I was the Queen of Snowdrifts, looking down on my subjects.
Then, because the universe is a big asshole sometimes, it started pouring nasty cold rain on me. I made a mental note to put alcohol in the next batch of impromptu Jello shots.
*The Weather Channel. I used to like them a lot better, but they've become so weird and shouty and sensationalist lately. If TV channels were people, I think the Weather Channel would be the stodgy and respectable banker who sustained a tragic brain injury that turned him into a psychotic rambling New York subway evangelist.
**I know, I know, they're not real shots that way. But Technomancer wouldn't help me eat them if I put alcohol in them.
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